What seems to be the background gets approximately blurred, without any progressiveness.Īrgh, look at this imperfect demarcation on the reeds! This phenomenon is what happens with the ‘portrait’ modes of smart phones nowadays. Use it as an opportunity to improve your photography!) (If you’ve done it before, don’t take this personally. However, it is purely software-based, and it just can’t replicate a mechanical blur properly provided by a shallow depth of field. It allows you to simulate a fake blur on a defined area. Not all of them must be used, believe me. When you’re editing your photos, plenty of options are offered to you by the editing software. If you’ve made it to here, you must promise me that you won’t fall into the trap of the fake blur. I have written a long article about the long exposure, that should allow you to understand the process step-by-step, in order to replicate it successfully! The technique behind the long exposure isn’t insanely complicated, but it is very different from everyday settings. Knowledge on exposure! As the triangle of exposure is pushed to its extremes here, it is crucial to understand how your settings affect your image! If you haven’t yet, check the basics of exposure!.An ND filter: acting as a pair of sunglasses for your lenses, it allows you to use very long shutter speeds in daylight situations!.Ensuring that your camera remains steady is absolutely essential! Check the article about tripods to see how to choose one that suits your usage, and how to make most of it! The process is (surprisingly) quite simple for this type of picture you only need two or three things: It can be a highway, a flea market, a lake, or almost anything.Ĭredits: probably not the first time that you’ve seen this type of photo! I’m sure that you’ve already seen photos using this technique of the long exposure, without knowing what it actually is! The concept is pretty simple you find a moving subject within a scene and photograph it. You can have a rough idea of the proper settings, but only a few test shots will truly help you with this. The third and last factor is… to go for test shots! The ideal shutter speed will always depend on the speed of your subject, and on your focal length.The last thing you want is an inaccurate autofocus! Feel free to read about the basics of the autofocus to make sure that you’ve set up this continuous mode correctly □ It will keep tracking your subject for the whole time. Going for the continuous autofocus mode (AF-C/Ai Servo) will provide you sharpness all along the way. The second mandatory prerequisite is your autofocus setting.You can find stabilized lenses and stabilized camera bodies by clicking here. Your motion probably won’t be perfectly smooth, but a stabilized lens or body will help you with this. The first one is a stabilized lens/body – I’ve explained stabilization here.Three main factors will influence your success with this technique: Here is what you can obtain with a bit of practice! Often appreciated by sports photographers, it is now used in a lot of different fields (automotive, street photography, etc.) It conveys motion and dynamism in your photo, but requires a bit of practice. The goal is to keep the subject sharp, while having all the surroundings blurred by a motion blur. It is pretty self-explanatory: the subject moves, and you – try to – follow it. In my opinion, the motion blur can be found under two forms. This one is usually more technical… and less frequent! Unlike bokeh that uses the aperture, the motion blur relies on shutter speed. It is created by the blades in the lens – those same who regulate the aperture by closing or opening themselves. It is an efficient way to make the subject stand out from his surroundings. This very famous effect is very appreciated by portrait photographers. If the last sentence sounded Greek to you, you may want to read about exposure to grab the main concepts mentioned. That’s a classic! Written ‘ボケ,’ this Japanese word stands for ‘blur’ (and, no, I have no idea how to pronounce it!) This sweet word actually describes the background blur that appears when you take a picture at a wide aperture – small f/ number, shallow depth of field. This is not what I mean when I say ‘artistic blur!’ □ Just a short digression before getting started: Blur in photography isn’t so bad: don’t demonize it: if it is well used, the artistic blur can be a strength! Here, I will show you four ways to use the blur at your advantage, to take unique pictures! Well, let me explain myself! It is not what you think it is!Īll the ‘great photos’ are not necessarily technically perfect: you mustn’t be afraid of the blur. What a terrible photographer he might be! How can one even consider calling a blurry photo ‘amazing’?
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